{"id":192,"date":"2020-01-13T10:41:14","date_gmt":"2020-01-13T10:41:14","guid":{"rendered":"http:\/\/www.opusdesmuses.com\/opus\/?page_id=192"},"modified":"2020-01-30T07:28:34","modified_gmt":"2020-01-30T07:28:34","slug":"violon-clavecin","status":"publish","type":"page","link":"https:\/\/www.opusdesmuses.com\/opus\/violon-clavecin\/","title":{"rendered":"violon baroque \/ clavecin"},"content":{"rendered":"

[et_pb_section fb_built=\u00a0\u00bb1″ fullwidth=\u00a0\u00bbon\u00a0\u00bb admin_label=\u00a0\u00bbHeader\u00a0\u00bb _builder_version=\u00a0\u00bb3.29.1″ background_color=\u00a0\u00bb#000000″][\/et_pb_section][et_pb_section fb_built=\u00a0\u00bb1″ admin_label=\u00a0\u00bbCalls to Action\u00a0\u00bb _builder_version=\u00a0\u00bb3.27.3″ background_color=\u00a0\u00bb#000000″ custom_padding=\u00a0\u00bb||0px|||\u00a0\u00bb][et_pb_row _builder_version=\u00a0\u00bb4.0.9″ custom_padding=\u00a0\u00bb||0px|||\u00a0\u00bb][et_pb_column type=\u00a0\u00bb4_4″ _builder_version=\u00a0\u00bb4.0.9″][et_pb_text _builder_version=\u00a0\u00bb4.0.6″ text_text_color=\u00a0\u00bbrgba(255,255,255,0.5)\u00a0\u00bb text_font_size=\u00a0\u00bb16px\u00a0\u00bb text_line_height=\u00a0\u00bb1.8em\u00a0\u00bb header_2_font=\u00a0\u00bbMontserrat|300|||||||\u00a0\u00bb header_2_font_size=\u00a0\u00bb70px\u00a0\u00bb header_2_line_height=\u00a0\u00bb1.2em\u00a0\u00bb header_3_font=\u00a0\u00bbMontserrat|700||on|||||\u00a0\u00bb header_3_text_color=\u00a0\u00bb#f9002b\u00a0\u00bb header_3_font_size=\u00a0\u00bb16px\u00a0\u00bb header_3_letter_spacing=\u00a0\u00bb2px\u00a0\u00bb header_3_line_height=\u00a0\u00bb1.4em\u00a0\u00bb background_layout=\u00a0\u00bbdark\u00a0\u00bb header_2_font_size_tablet=\u00a0\u00bb40px\u00a0\u00bb header_2_font_size_phone=\u00a0\u00bb30px\u00a0\u00bb header_2_font_size_last_edited=\u00a0\u00bbon|phone\u00a0\u00bb header_3_font_size_tablet=\u00a0\u00bb14px\u00a0\u00bb header_3_font_size_phone=\u00a0\u00bb\u00a0\u00bb header_3_font_size_last_edited=\u00a0\u00bbon|phone\u00a0\u00bb text_text_align=\u00a0\u00bbleft\u00a0\u00bb locked=\u00a0\u00bboff\u00a0\u00bb]<\/p>\n

J.S.Bach- Int\u00e9grale des sonates pour violon et clavecin<\/h2>\n

[\/et_pb_text][et_pb_video src=\u00a0\u00bbhttps:\/\/www.opusdesmuses.com\/opus\/wp-content\/uploads\/2020\/01\/Sharman-Plesner-Mario-Raskin-FLUVORE.mp4″ thumbnail_overlay_color=\u00a0\u00bbrgba(0,0,0,0.6)\u00a0\u00bb src_tablet=\u00a0\u00bb\u00a0\u00bb src_phone=\u00a0\u00bb\u00a0\u00bb src_last_edited=\u00a0\u00bbon|desktop\u00a0\u00bb _builder_version=\u00a0\u00bb4.2.2″ hover_enabled=\u00a0\u00bb0″ image_src=\u00a0\u00bbhttps:\/\/www.opusdesmuses.com\/opus\/wp-content\/uploads\/2020\/01\/vilon_clavecin.jpg\u00a0\u00bb][\/et_pb_video][et_pb_text _builder_version=\u00a0\u00bb4.2.2″ text_font_size=\u00a0\u00bb16px\u00a0\u00bb]<\/p>\n

Violon baroque : Sharman Plesner<\/span><\/p>\n

Clavecin : Mario Raskin<\/span><\/a><\/p>\n

J.S. Bach a compos\u00e9 les six sonates pour violon et clavecin oblig\u00e9 probablement vers la fin de l\u2019\u00e9poque o\u00f9 il \u00e9tait ma\u00eetre de chapelle \u00e0 la cour de Cothen. Rempla\u00e7ant le r\u00f4le pur d\u2019accompagnement qui tenait jusqu\u2019alors la basse continue, en \u00e9crivant les deux voix du clavecin (une pour chaque main) il cr\u00e9e ainsi la sonate pour deux instruments dans le sens moderne du genre.<\/span><\/p>\n

Ces \u0153uvres majeurs du r\u00e9pertoire de musique de chambre du grand g\u00e9nie de la musique occidentale, illustrent le dialogue entre ces deux instruments gr\u00e2ce \u00e0 une maitrise fascinante du contrepoint, l\u2019harmonie, l\u2019invention m\u00e9lodique et la virtuosit\u00e9 d\u2019\u00e9criture pour chaque instrument, dans un \u00e9quilibre parfait.<\/span><\/p>\n

La collaboration de ces deux artistes remonte \u00e0 1991. Depuis, ils jouent ensemble r\u00e9guli\u00e8rement. Leur version des sonates de Jean-S\u00e9bastien Bach – maintes fois jou\u00e9es en concert – se traduit ici par une lecture m\u00fbrement r\u00e9fl\u00e9chie et personnelle.<\/span><\/p>\n

[\/et_pb_text][\/et_pb_column][\/et_pb_row][et_pb_row _builder_version=\u00a0\u00bb4.1″][et_pb_column type=\u00a0\u00bb4_4″ _builder_version=\u00a0\u00bb4.1″][et_pb_divider show_divider=\u00a0\u00bboff\u00a0\u00bb _builder_version=\u00a0\u00bb4.1″ height=\u00a0\u00bb350px\u00a0\u00bb][\/et_pb_divider][\/et_pb_column][\/et_pb_row][\/et_pb_section]<\/p>\n","protected":false},"excerpt":{"rendered":"

J.S.Bach- Int\u00e9grale des sonates pour violon et clavecinViolon baroque : Sharman Plesner Clavecin : Mario Raskin J.S. Bach a compos\u00e9 les six sonates pour violon et clavecin oblig\u00e9 probablement vers la fin de l\u2019\u00e9poque o\u00f9 il \u00e9tait ma\u00eetre de chapelle \u00e0 la cour de Cothen. Rempla\u00e7ant le r\u00f4le pur d\u2019accompagnement qui tenait jusqu\u2019alors la basse […]<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"_et_pb_use_builder":"on","_et_pb_old_content":"","_et_gb_content_width":"","footnotes":""},"class_list":["post-192","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"https:\/\/www.opusdesmuses.com\/opus\/wp-json\/wp\/v2\/pages\/192","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.opusdesmuses.com\/opus\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/www.opusdesmuses.com\/opus\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/www.opusdesmuses.com\/opus\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.opusdesmuses.com\/opus\/wp-json\/wp\/v2\/comments?post=192"}],"version-history":[{"count":14,"href":"https:\/\/www.opusdesmuses.com\/opus\/wp-json\/wp\/v2\/pages\/192\/revisions"}],"predecessor-version":[{"id":652,"href":"https:\/\/www.opusdesmuses.com\/opus\/wp-json\/wp\/v2\/pages\/192\/revisions\/652"}],"wp:attachment":[{"href":"https:\/\/www.opusdesmuses.com\/opus\/wp-json\/wp\/v2\/media?parent=192"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}