{"id":203,"date":"2020-01-13T11:07:25","date_gmt":"2020-01-13T11:07:25","guid":{"rendered":"http:\/\/www.opusdesmuses.com\/opus\/?page_id=203"},"modified":"2021-12-15T16:18:35","modified_gmt":"2021-12-15T16:18:35","slug":"violon-piano","status":"publish","type":"page","link":"https:\/\/www.opusdesmuses.com\/opus\/violon-piano\/","title":{"rendered":"violon \/ piano"},"content":{"rendered":"<p>[et_pb_section fb_built=\u00a0\u00bb1&Prime; fullwidth=\u00a0\u00bbon\u00a0\u00bb admin_label=\u00a0\u00bbHeader\u00a0\u00bb _builder_version=\u00a0\u00bb3.29.1&Prime; background_color=\u00a0\u00bb#000000&Prime;][\/et_pb_section][et_pb_section fb_built=\u00a0\u00bb1&Prime; admin_label=\u00a0\u00bbCalls to Action\u00a0\u00bb _builder_version=\u00a0\u00bb3.27.3&Prime; background_color=\u00a0\u00bb#000000&Prime; custom_padding=\u00a0\u00bb||0px|||\u00a0\u00bb][et_pb_row _builder_version=\u00a0\u00bb4.0.9&Prime; custom_padding=\u00a0\u00bb||0px|||\u00a0\u00bb][et_pb_column type=\u00a0\u00bb4_4&Prime; _builder_version=\u00a0\u00bb4.0.9&Prime;][et_pb_text _builder_version=\u00a0\u00bb4.0.6&Prime; text_text_color=\u00a0\u00bbrgba(255,255,255,0.5)\u00a0\u00bb text_font_size=\u00a0\u00bb16px\u00a0\u00bb text_line_height=\u00a0\u00bb1.8em\u00a0\u00bb header_2_font=\u00a0\u00bbMontserrat|300|||||||\u00a0\u00bb header_2_font_size=\u00a0\u00bb70px\u00a0\u00bb header_2_line_height=\u00a0\u00bb1.2em\u00a0\u00bb header_3_font=\u00a0\u00bbMontserrat|700||on|||||\u00a0\u00bb header_3_text_color=\u00a0\u00bb#f9002b\u00a0\u00bb header_3_font_size=\u00a0\u00bb16px\u00a0\u00bb header_3_letter_spacing=\u00a0\u00bb2px\u00a0\u00bb header_3_line_height=\u00a0\u00bb1.4em\u00a0\u00bb background_layout=\u00a0\u00bbdark\u00a0\u00bb header_2_font_size_tablet=\u00a0\u00bb40px\u00a0\u00bb header_2_font_size_phone=\u00a0\u00bb30px\u00a0\u00bb header_2_font_size_last_edited=\u00a0\u00bbon|phone\u00a0\u00bb header_3_font_size_tablet=\u00a0\u00bb14px\u00a0\u00bb header_3_font_size_phone=\u00a0\u00bb\u00a0\u00bb header_3_font_size_last_edited=\u00a0\u00bbon|phone\u00a0\u00bb text_text_align=\u00a0\u00bbleft\u00a0\u00bb locked=\u00a0\u00bboff\u00a0\u00bb]<\/p>\n<h2>Vienne, le monde d&rsquo;hier<\/h2>\n<p>[\/et_pb_text][\/et_pb_column][\/et_pb_row][et_pb_row _builder_version=\u00a0\u00bb4.9.0&Prime; _module_preset=\u00a0\u00bbdefault\u00a0\u00bb][et_pb_column _builder_version=\u00a0\u00bb4.9.0&Prime; _module_preset=\u00a0\u00bbdefault\u00a0\u00bb type=\u00a0\u00bb4_4&Prime;][et_pb_image src=\u00a0\u00bbhttps:\/\/www.opusdesmuses.com\/opus\/wp-content\/uploads\/2020\/02\/Vienne-couverture.jpeg\u00a0\u00bb _builder_version=\u00a0\u00bb4.9.0&Prime; _module_preset=\u00a0\u00bbdefault\u00a0\u00bb title_text=\u00a0\u00bbVienne couverture\u00a0\u00bb hover_enabled=\u00a0\u00bb0&Prime; sticky_enabled=\u00a0\u00bb0&Prime;][\/et_pb_image][\/et_pb_column][\/et_pb_row][et_pb_row _builder_version=\u00a0\u00bb4.1&Prime;][et_pb_column type=\u00a0\u00bb4_4&Prime; _builder_version=\u00a0\u00bb4.1&Prime;][et_pb_text _builder_version=\u00a0\u00bb4.2.2&Prime; text_font_size=\u00a0\u00bb16px\u00a0\u00bb]<\/p>\n<p><span style=\"color: #ffffff;\">Un hommage \u00e0 la Vienne d&rsquo;avant-guerre, inspir\u00e9 du livre de <strong>Stefan Zweig \u00ab\u00a0Le monde d&rsquo;hier\u00a0\u00bb<\/strong>. Les musiciens se sont tourn\u00e9s vers la Vienne heureuse o\u00f9 les plaisirs de l&rsquo;existence sont aussi ceux de la musique. Un message d&rsquo;espoir qu&rsquo;ils adressent \u00e0 l&rsquo;auteur, ainsi qu&rsquo;\u00e0 nous. <strong>\u00ab\u00a0Vivre et Laisser Vivre\u00a0\u00bb, s&rsquo;\u00e9chapper en r\u00eavant\u2026 <\/strong><\/span><\/p>\n<p><span style=\"color: #ffffff;\">En concert, les musiciens nous disent les textes de Stefan Zweig. Un merveilleux moment m\u00ealant musique et litt\u00e9rature, un \u00e9clairage particulier sur la Vienne de la <strong><em>\u00ab\u00a0Belle-Epoque\u00a0\u00bb<\/em><\/strong>.\u00a0 Textes en version anglaise pour les publics anglophones.<\/span><\/p>\n<p><span style=\"color: #ffffff;\"><\/span><\/p>\n<p>[\/et_pb_text][\/et_pb_column][\/et_pb_row][et_pb_row _builder_version=\u00a0\u00bb4.2.2&Prime; column_structure=\u00a0\u00bb1_2,1_2&Prime;][et_pb_column type=\u00a0\u00bb1_2&Prime; _builder_version=\u00a0\u00bb4.2.2&Prime;][et_pb_audio audio=\u00a0\u00bbhttps:\/\/www.opusdesmuses.com\/opus\/wp-content\/uploads\/2020\/01\/02-L.-Godowsky-Triakontameron-No.-11-_Alt-Wien_-mp3.mp3&Prime; title=\u00a0\u00bbGodowsky &#8211; Alt Wien\u00a0\u00bb artist_name=\u00a0\u00bbS. Plesner &#8211; D. L\u00e9vi\u00a0\u00bb album_name=\u00a0\u00bbVienne, le monde d&rsquo;hier\u00a0\u00bb _builder_version=\u00a0\u00bb4.2.2&Prime; width=\u00a0\u00bb430px\u00a0\u00bb][\/et_pb_audio][et_pb_text _builder_version=\u00a0\u00bb4.2.2&Prime;]<\/p>\n<p><a href=\"https:\/\/www.aht.li\/3486460\/Critique_Vienne_le_monde_dhier.pdf\">VOIR LA CRITIQUE<\/a> <span style=\"color: #ffffff;\">LEXNEWS &#8211; REVUE CULTURELLE &#8211; MARS 2020 ou sur :\u00a0\u00a0<a href=\"http:\/\/www.lexnews.fr\/lesdisques.htm\">http:\/\/www.lexnews.fr\/lesdisques.htm<\/a><\/span><\/p>\n<p><span style=\"color: #ffffff;\"><\/span><\/p>\n<p>[\/et_pb_text][\/et_pb_column][et_pb_column _builder_version=\u00a0\u00bb4.9.0&Prime; _module_preset=\u00a0\u00bbdefault\u00a0\u00bb type=\u00a0\u00bb1_2&Prime;][et_pb_text _builder_version=\u00a0\u00bb4.9.0&Prime; _module_preset=\u00a0\u00bbdefault\u00a0\u00bb hover_enabled=\u00a0\u00bb0&Prime; sticky_enabled=\u00a0\u00bb0&Prime; text_font_size=\u00a0\u00bb18px\u00a0\u00bb text_text_color=\u00a0\u00bb#FFFFFF\u00a0\u00bb]<\/p>\n<p><span><\/span><\/p>\n<p><span>Des extraits du CD ont \u00e9t\u00e9 choisis pour illustrer<\/span><\/p>\n<p><span> l&rsquo;\u00e9mission\u00a0<\/span><span style=\"font-size: 18px;\"><\/span><a href=\"https:\/\/www.francemusique.fr\/emissions\/en-pistes\/un-detour-par-vienne-79904\" style=\"font-size: 18px;\">\u00ab\u00a0Un d\u00e9tour par Vienne\u00a0\u00bb\u00a0<\/a><\/p>\n<p><span style=\"font-size: 18px;\">sur France Musique\u00a0<\/span><span style=\"font-size: 18px;\">le vendredi 17 janvier 2020.<\/span><\/p>\n<p>[\/et_pb_text][\/et_pb_column][\/et_pb_row][et_pb_row _builder_version=\u00a0\u00bb4.2.2&Prime;][et_pb_column type=\u00a0\u00bb4_4&Prime; _builder_version=\u00a0\u00bb4.2.2&Prime;][et_pb_text _builder_version=\u00a0\u00bb4.2.2&Prime; text_font_size=\u00a0\u00bb18px\u00a0\u00bb border_width_all=\u00a0\u00bb2px\u00a0\u00bb border_color_all=\u00a0\u00bb#0C71C3&Prime;]<\/p>\n<p><span style=\"color: #ffffff;\">Vous pouvez commander le CD \u00ab\u00a0Vienne, le monde d&rsquo;hier\u00a0\u00bb par <a href=\"mailto:laurencearagon@orange.fr\">mail<\/a>. Tarif : 14 \u20ac frais de port inclus (prix du CD : 12 \u20ac).\u00a0<\/span><\/p>\n<p>[\/et_pb_text][\/et_pb_column][\/et_pb_row][et_pb_row _builder_version=\u00a0\u00bb4.2.2&Prime;][et_pb_column type=\u00a0\u00bb4_4&Prime; _builder_version=\u00a0\u00bb4.2.2&Prime;][et_pb_text _builder_version=\u00a0\u00bb4.2.2&Prime; text_font_size=\u00a0\u00bb16px\u00a0\u00bb custom_padding=\u00a0\u00bb2px|||||\u00a0\u00bb]<\/p>\n<p class=\"p1\"><span class=\"s1\" style=\"color: #ffffff;\"><strong>David Levi : pianiste &#8211; chef d&rsquo;orchestre.<\/strong><\/span><\/p>\n<p class=\"p1\"><span class=\"s1\" style=\"color: #ffffff;\">Il grandit \u00e0 New York.<span class=\"Apple-converted-space\">\u00a0 <\/span>Il fait ses \u00e9tudes musicales \u00e0 la Manhattan School of Music en piano, direction d\u2019orchestre et accompagnement de chanteurs sous l\u2019\u00e9gide de Donal Nold et Martin Katz.<span class=\"Apple-converted-space\">\u00a0 <\/span>En 1989, il cr\u00e9e Opera Spanga aux Pays Bas avec la metteur en sc\u00e8ne Corina van Eijk, compagnie avec laquelle il dirige de nombreuses productions. De 1993 et 1997 il est l\u2019assistant de James Conlon \u00e0 l\u2019Op\u00e9ra de Cologne.<span class=\"Apple-converted-space\">\u00a0 <\/span>De 1997 \u00e0 2002, il est Chef des Choeurs de l\u2019Op\u00e9ra National de Paris.<\/span><\/p>\n<p class=\"p1\"><span class=\"s1\" style=\"color: #ffffff;\">Depuis 2002 il produit diff\u00e9rents op\u00e9ras en France et collabore \u00e0 plusieurs projets avec l\u2019Orchestre National d\u2019\u00cele de France.<span class=\"Apple-converted-space\">\u00a0 <\/span>Il est fondateur de TerrOpera \u00e0 Terraube dans le Gers.<\/span><\/p>\n<p class=\"p1\"><span class=\"s1\" style=\"color: #ffffff;\">En Italie comme au Danemark, David Levi est connu pour sa direction de musique de ballet (<i>Rom\u00e9o et Juliette, Caracalla 2018-2019), Napoli (Ballet Royal de Danemark 2018-2019)<\/i> mais aussi pour sa direction de productions lyriques. En Autriche, il est connu pour son expertise dans la com\u00e9die musicale. Il est r\u00e9guli\u00e8rement invit\u00e9 au Volksoper de Vienne et en 2016 il \u00e9tait pour la deuxi\u00e8me fois directeur musical du M\u00f6rbisch Seefestspiele.<\/span><\/p>\n<p class=\"p1\"><span class=\"s1\" style=\"color: #ffffff;\">Ses d\u00e9buts au New York City Ballet en mai 2013 \u00e9taient acclam\u00e9s par le New York Times.<\/span><\/p>\n<p class=\"p1\"><span class=\"s1\" style=\"color: #ffffff;\">En tant que pianiste, il continue de collaborer avec des artistes tels que Susan Manoff et Patricia Petibon (<i>La Belle Excentrique<\/i> Deutsche Gramophon) et la violoniste Sharman Plesner (<i>Le Monde d\u2019Hier <\/i>sorti pr\u00e9vu en 2019).\u00a0<\/span><\/p>\n<p class=\"p1\"><span class=\"s1\" style=\"color: #ffffff;\">De la Chine aux Etats Unis, en passant par la Colombie, l\u2019Allemagne, l\u2019Autriche, la Serbie, l\u2019Italie et la France, David Levi continue sa carri\u00e8re internationale.\u00a0<\/span><\/p>\n<p>[\/et_pb_text][\/et_pb_column][\/et_pb_row][et_pb_row _builder_version=\u00a0\u00bb4.9.0&Prime; _module_preset=\u00a0\u00bbdefault\u00a0\u00bb][et_pb_column _builder_version=\u00a0\u00bb4.9.0&Prime; _module_preset=\u00a0\u00bbdefault\u00a0\u00bb type=\u00a0\u00bb4_4&Prime;][et_pb_image src=\u00a0\u00bbhttps:\/\/www.opusdesmuses.com\/opus\/wp-content\/uploads\/2021\/05\/Monde-Hier-dos.jpg\u00a0\u00bb _builder_version=\u00a0\u00bb4.9.0&Prime; _module_preset=\u00a0\u00bbdefault\u00a0\u00bb title_text=\u00a0\u00bbMonde Hier dos\u00a0\u00bb hover_enabled=\u00a0\u00bb0&Prime; sticky_enabled=\u00a0\u00bb0&Prime;][\/et_pb_image][\/et_pb_column][\/et_pb_row][\/et_pb_section]<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Vienne, le monde d&rsquo;hierUn hommage \u00e0 la Vienne d&rsquo;avant-guerre, inspir\u00e9 du livre de Stefan Zweig \u00ab\u00a0Le monde d&rsquo;hier\u00a0\u00bb. Les musiciens se sont tourn\u00e9s vers la Vienne heureuse o\u00f9 les plaisirs de l&rsquo;existence sont aussi ceux de la musique. Un message d&rsquo;espoir qu&rsquo;ils adressent \u00e0 l&rsquo;auteur, ainsi qu&rsquo;\u00e0 nous. \u00ab\u00a0Vivre et Laisser Vivre\u00a0\u00bb, s&rsquo;\u00e9chapper en r\u00eavant\u2026 [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"_et_pb_use_builder":"on","_et_pb_old_content":"","_et_gb_content_width":"","footnotes":""},"class_list":["post-203","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"https:\/\/www.opusdesmuses.com\/opus\/wp-json\/wp\/v2\/pages\/203","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.opusdesmuses.com\/opus\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/www.opusdesmuses.com\/opus\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/www.opusdesmuses.com\/opus\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.opusdesmuses.com\/opus\/wp-json\/wp\/v2\/comments?post=203"}],"version-history":[{"count":27,"href":"https:\/\/www.opusdesmuses.com\/opus\/wp-json\/wp\/v2\/pages\/203\/revisions"}],"predecessor-version":[{"id":1528,"href":"https:\/\/www.opusdesmuses.com\/opus\/wp-json\/wp\/v2\/pages\/203\/revisions\/1528"}],"wp:attachment":[{"href":"https:\/\/www.opusdesmuses.com\/opus\/wp-json\/wp\/v2\/media?parent=203"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}